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Indeed the guard almost seemed to have been hired by the curators to bring to the viewer’s awareness the context of an oppressive regime, on which the work with which the viewer is initially confronted, was designed to comment …
If there is a word in English that will do to describe existence at all it is perhaps miracle and it is perhaps the job of the artist to situate the miracle for us, as Falk does—to remind us of the miracle when the grooved fat of habit suppresses our appetite for it.