An online magazine where thoughtful art meets thoughtful art reviews.
While helping install Amanda McCavour’s “Double Shadow” at Museum London, Phil Bram reflects on the embroidery artist’s massive wall installation, the strange precision of artistic instinct, and the decisions that make hundreds of stitched elements come alive.
(after Double Shadow, Amanda McCavour, Museum London, 2026) This museum wallis humming: covered in threadedsquiggles and polka dots, grids, rain drops,plaid, pattern upon pattern…
Standing on the shoulder of the highway, the rain-free base rotating maybe five kilometres out, and the wall cloud is dropping: slow, deliberate, indifferent,…
Earlier this year, I had the opportunity to work with McIntosh Gallery curator, Dr. Helen Gregory, as she developed her exhibition, Atmospheric Shifts, featuring…
Inside. Outside. Of. is a puzzle of an exhibition conceived of and collected by co-curators Shannon Anderson and Jay Wilson. Together, over the past…
The Rosemary Sloot Retrospective opened at Westland Gallery as the first exhibition of 2025. Sloot is a renowned Ontario artist whose career has now…
Laura Woermke has served as curator and director of the St. Thomas-Elgin Art Gallery in St. Thomas for over 17 years. In her role…
Wyn Geleynse’s Community Portraits A year ago I received a call from London’s acclaimed multi-media artist Wyn Geleynse, wondering if I might like to…
Bringing together Blondeau’s satirical performances and heartfelt meditations, I’m Not Your Kinda Princess underscores the artist’s investment in engaging with the roles of perception, preservation of cultural practice, and assertions of colonialism in the contemporary.
Terry Graff, a Galt (Cambridge) native and acclaimed national visual artist, with strong Woodstock and London connections, sits down with Centred’s podcast interviewer, Andrés…